Cali Roots 2014 >> Good Vibes in Monterey [County Fairgrounds]

California Roots Music Festival >> As any good Rastafarian knows, Jah provides. And Jah sure provided an amazing weekend in Monterey at the Cali Roots Festival. The three-day festival, in its fifth year, provides plenty of smiles, good vibes and of course, great music but is also much more.

Cali Roots 2014

Set at The Monterey County Fairgrounds the simple venue provides a setting that is a throwback to simpler days of music and a world away from the hustle and bustle just outside. The organizers also bring in artists who paint along on stage with the artists providing a unique visual window into and beyond the music. They also have a zero waste program and work well with the socially conscious and green crowd only a reggae festival can bring in. It’s truly amazing to see how much this festival and the Reggae-Island genre have grown in the past few years.

Now on to the music! For those not familiar with the Reggae or Island genres, I bet you’ll still recognize some of the huge names drawn to the Monterey Peninsula this past weekend. Here is a quick run down of some of the highlights and insights.

Day 1 >> Friday 5.23

J-Boog pretty much unknown by most prior to the weekend put on a great show to get the day started and everyone seemed like they knew his music by the end of the set. Or maybe they just wanted to be a part of what he was putting out as he did seem to be everyone’s best friends by the end of the weekend. He went on to play with The Green and both Friday and Saturday night headliners SOJA and Rebelution. We also got to hangout with him for a bit at the Planet Gemini after party where he was a man of the people hanging out, buying and carrying industrial size buckets of Dos Equis for all his band members and whatever pretty ladies in their corner happened to need a frosty cold beverage. He was definitely one of the coolest and most diverse artists of the weekend, J-Boog, the Nate Dogg of Island music.

Steel Pulse was the first big name in the main bowl and on the headlining stage. If you haven’t heard of Steel Pulse, you probably don’t have much of a pulse on reggae as these long time legends have been around forever. Though you might not know the words to their songs [or even be able to understand them], they are old school reggae through and through and you can’t help but to be feelin’ irie. Their lead singer David ‘Dread’ Hinds got the crowd’s energy up leading in to the headliner, dancing around on the stage in what looked to be part dashiki, part circus tent and part rainbow parachute. Whatever he was on the crowd wanted some and could not get enough.

SOJA closed down night one in spectacular fashion. Having seen them rock much smaller venues for over two hours with nothing but hits I was excited to see how they would pair down their show to just over an hour. For those who haven’t heard them, picture rocking out while simultaneously getting socially educated about the world and empowered to go make a difference. I must say it’s a powerful feeling when you and 10,000+ strangers get on that same page. In addition to previewing some great new songs off their upcoming album, what most people will find most memorable was the fire. That’s right actual fire. As a historical note Hendrix famously set his guitar on fire at this venue in 67, and SOJA paid tribute setting a blaze to one of their own. This may have been a Reggae festival but that was rock star status on all accounts.

Day 2 >> Saturday 5.24

Saturday started out with some top notch journalism as we sat in on The Rebelution press conference, since they were headlining that night. Really awesome to watch a band go from back yard frat parties in Santa Barbara, to 100-person clubs and free beach concerts in Hermosa Beach to being top billing on Saturday night of the largest Reggae festival in the US. Having heard them slowly release songs from their new album for free, I wanted to know more and asked about what if any collaborations we could expect. They were actually really excited by the question as this is one of the first times they’ve had other vocalists on one of their albums. Spoiler alert: expect some killer tracks coming in the next few months featuring Aruba born Collie Buddz and Kingston’s own Don Carlos.

Cali Roots 2014 >> Rebelution

They also rocked the hell out of the main bowl but having seen them so many times prior and having had two or ten Sierra Nevada’s and really ‘getting in to the spirit of the music’ no special details to report other than I know I had a pretty kick ass time and was because they put on a kick ass show as they always do.

Now for the story of the weekend! Nahko and Medicine for the People. Write it down. Get to know them. Download everything you can as these were the surprise artist of Saturday and might have just stolen the whole damn weekend. At a big festival there’s always one band that you go home and tell your friends about and this was them. Not just for me, by the way. This was the common and overwhelming theme from everyone I spoke to the rest of the weekend.

They played the second stage midday and brought it from the opening chords. With a similar sound and message to SOJA but with a vibe all their own they captivated the audience and had them jumping to songs they’d never heard as soon as they stepped foot on the stage. Being in between larger acts on the main stage lead singer Nahko’s magnetic energy sucked in every passer by and soon there was a crowd as far as the eye could see jamming along. Other highlights include SOJA lead singer Jacob Hemphill joining them on stage and singing a few choruses of their new single ‘I believe’ which Nahko is featured on. Before he left via stage left he pronounced to this crowd-crowned Nahko and Medicine for the People as ‘best new fucking band on the planet’ which drove the frenzied crowd to another cloud.

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Their hour-set which was ended seemingly abruptly and left the crowd wanting more. In all of the shows I have been to I have seen a lot of encores. At this point they almost seem passé as bands hold back one of their best songs for the obligatory last song. This was different. This was something special and an actual encore that worked. An unrelenting crowd that simply would not take no for an answer eventually urged a seemingly unprepared and clearly touched and flattered lead singer back to the stage. All other instruments and speakers had been unplugged and packed so he came as one man with a message vibing and seemingly freestyling alone off the energy the crowd was giving as he had clearly left it all on the stage prior. You might have come to this festival for the music but what you got was a show and a peak inside of an up-and-coming force in Reggae music.

Get on board now while you can still get a ticket on their current tour. For those of you in the Bay or going to Outside Lands, lucky you they’ll be bringing it at Golden Gate Park on Friday August 8th.

Day 3 >> Sunday 5.25

Sunday wasn’t for the indie bands. Sunday was for all big names in the main bowl all day.

The sun had finally come out after two days of fog and wind and everyone was ready to party away the last day and go hard the last day of the festival.

Hawaiian local favorite, The Green started off a lineup of four bands in a row on the main stage and most likely in front of the largest crowd they’ve ever seen at a full stadium with 10K+. They may not be traditional Reggae, but their island vibe and Hawaiian stylin’ was certainly in the wheelhouse of the early crowd who used their mellow and catchy tunes to partake in the green of their own.

Needless to say, after The Green, the crowd was ready to keep it going. Who better to step up to the plate than Pepper. They saw a full bowl and they were ready to hit it. A lot of reggae has a positive message about tolerance, social consciousness, environmental awareness and just plain good vibes. Then there’s Pepper. They are a great reminder that sometimes music can still be about partying hard, getting f’d up, and banging chicks. Pepper, always unapologetic, amped up this theme to the next level and at times the girls on top of dudes’ shoulders singing their face off seemed to carry the tunes. Great music? Probably not. But good time? Most definitely. Well played, Pepper.

311 and Damian Marley wrapped up the weekend in the story of two shows. 311 did everything right. Played all their hits. Sounded flawless as expected with so many years of great shows under their belt. However, although enjoyable I felt as if I could have listened to any of their many albums in my car on the trip down and been just about as excited, which was disappointing. But don’t worry, 311. I still got love for you and ‘Amber’ is still the color of my energy.

Cali Roots 2014 >> Damian Marley

Damian Marley on the other hand came out the gates like a crazy person. I know probably a fraction of his songs compared to 311 but he had me dancing around like the super white dork I am from Reggae horn to Reggae horn and had me at every ‘Barrrrraackk Stickem!’ along the way. He has an angry edge to his Reggae that cuts sharp and clean while still being upbeat. His two songs I do know, one with NAS and one with Skrillex, he decided to just go ahead and kill all parts by himself. How does a reggae artist do Dubstep by himself you ask? I was there and I’m still not sure but it was pretty amazing. Do yourself a favor and go check him out if he’s in a town near you, whether you know what’s happening or not, you’ll be glad you went.

Until next time, Cali Roots and zBORED, be good to one another and make the movement move!

Charles

Charles

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Maximo Park >> Vogue-bot in Los Angeles [Troubadour]

Maximo Park >> ‘Hello! We are Max-eemo Park!’ said the overtly enthusiastic British lead singer Paul Smith after a delayed start time, to which the lethargic Friday-after-work crowd of music and booze lovers cheered.

Maximo Park >> Troubadour

The band, which hails from Northeast England, was playing at the Troubadour for the 3rd time since their first album release in 2005.

The Troubadour, being one of my favorite LA small concert venues due to the awesome acoustics and vintage vibe, was quieter than usual after a week of record-breaking heat. The mostly 20-to-30-something crowd was a mix of singletons, couples, families, random old dudes, and groups of friends. In essence, the music was suitable for all kinds.

Despite having had only 1 hour of sleep after flying in from San Francisco earlier that morning for an interview at the local treasure public radio station KCRW, the band managed to pull off a relatively lively performance. This was greatly due in part to Smith’s awkward dance style, which resembled a gangly version of the-robot-meets-Vogue [Vogue-bot, anyone?], and was so animated he managed to destroy his song sheet early in the set. His line, ‘My frantic dancing feet have annihilated the stage,’ summed it up completely.

The rest of the band seemed to be running on fumes, though still energetic even despite several technical difficulties with the mic that caused Smith to sound like bad cell phone reception mid-song on a couple of occasions.

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There were repeat requests for an encore of ‘Leave This Island’ to which Smith coyly replied that a young Irish roadie had told him that U2 started and ended their shows with ‘Vertigo’ and left it to the audience to interpret as they pleased [presumably not in favor of].

I preferred their punk-style songs, which seemed to be less popular with the crowd but definitely got me more in the mood [dinner sangria was a sleepy choice]. They also played several singles off their new album that left me wanting more.

Overall everyone seemed to be having a great time, including the band who reminded me of the kind of guys who hang out on their couches drinking lager and telling stories of funny times past. I’d hang out with them if I could, especially the keyboardist. Eventually, they zombie’d their way off stage to what I hope was a good—and hard earned—night’s sleep.

Danielle

Danielle

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The Glitch Mob >> Fortune Days in Los Angeles [Club Nokia]

The Glitch Mob >> In order to continue satiating my post-Coachella palette for live music and dancing, I jumped at my friend’s last minute offer for an extra ticket to The Glitch Mob at Club Nokia in downtown Los Angeles on Saturday night.

The Glitch Mob >> Club Nokia

Did I cancel Mother’s Day plans? Technically, she cancelled.

Did I forget I also had a kickball party and dinner with a friend after? Sort of—I had planned to spend the weekend with my mom, so both RSVPs were tentative.

Did I feel obligated to make at least one of the events before the show? Yup, which I rallied through a few quick rounds of flip cup and still managed to grab some Jack in the Box (10% off for the long wait—score!) and made it to my friend’s just in time to take a shot of tequila before the UberX driver arrived.

A surprisingly quick trip east on the 10 to downtown and we made it in time to catch the two minor acts before the main event.

Club Nokia, to my mix of both pleasure and dismay, is not the venue I expected.

Based on the website, I noticed that previous shows included stand-up comedy and violin concertos. I had anticipated reserved seats and a small dance floor near the stage for a select few.

Not quite—instead, it was more of a club environment with 3 levels and a lengthy bar at each [of which there was zero wait for a drink given the clientele that night, but more on that later]. I should have figured from the name Club Nokia that this would be the case, but Yelp threw me off a bit this time.

The seats upstairs were empty and most people were squeezed together on the dance floor, which made sense provided this was an EDM show and not a symphony. Part of the stage was blocked on both sides because of giant, 3-feet wide columns, though fortunately TV screens were placed at the top for those stuck in the back.

Before the main show started, we enjoyed the outdoor patios that were heated by nothing but the unnervingly warm Santa Ana winds, overlooking LA Live where we witnessed mopey Kings fans drudging back to their cars across the way.

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By the time 11pm rolled around, The Glitch Mob trio of Boreta, Ooah, and edIT came out as I had expected: lights off and motionless, creating an atmosphere of eager anticipation. This was followed by the measured buildup of those 3 recognizable notes of 'We Can Make the World Stop' that instantly had everyone screaming in support. I myself was jumping and dancing right away, with the help of said shot from earlier.

I must say, I was quite literally blown away.

The residual from the 6 oversized drums and synthetic bass were so strong that my hair was blowing and my eyes had to squint to keep from drying out. The best way around it was to close my eyes and dance to the beat of the music.

To give you a feel of the clientele at this show—which both added and detracted from the music itself—I will quote [almost] verbatim my conversation with the lollipop-sucking wannabe candy raver who I will excuse for those reasons alone:

“How old are you?”

“You should never ask a woman her age.”

“Am I too young to dance with you? I’m 23.”

“Dancing is fine.”

“How old are you? 26?”

Give him the thumbs up sign, and then gesture upwards a couple times to indicate he needed to guess higher.

Red-mouthed boy dance spins around, walks away without a word, end of story.

I will admit that was one of the funniest age disses of my life and made for a great post-show conversation, which was actually told much better by the friend standing next to me who witnessed the whole episode.

Needless to say, the majority of attendants were probably college kids or recent grads, which is the only reason I didn’t feel this venue was ideal for this kind of show given the all ages entry. Our group was definitely in the upper echelons, but at least we weren’t the ones who puked in 1 of 2 elevators or were the girl who passed out on the floor and had to be escorted out by security once she came to. It happens.

Despite the minor distractions, the show ended gracefully with crowd favorite sing-along encore of 'We Can Make the World Stop' followed by the much built up to 'Fortune Days' that sealed the night pleasantly and helped me burn the last bit of energy I needed to feel satisfied with the evening.

[related: hella coachella 2014 >> glorious Spotify playlist]

Other highlights included edIT’s amazing bleached hair that he waved about like a mermaid jumping out of the water, watching as the trio spun around effortlessly to beat the ginormous drums in Taiko fashion, only to sync back up to tap each of their 6 iPad-style red touch pads that de-lit once tapped, creating an illusion that closely resembled the Simon toy of the ‘90s.

In sum, The Glitch Mob was fantastic and very professional. The venue would probably be better for a different type of music genre. The crowd should probably practice their manners and party skills before going back. Conclusion: I still love live music, and dancing!

Danielle

Danielle

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CounterPoint 2014 >> 3 Days of Music in Kingston Downs

CounterPoint Music Festival >> happened over three days in Kingston Downs, Georgia this past weekend.

CounterPoint

The music festival began in 2012 and similar to Bonnaroo, is a modern gala having so specific genre and one of the bigger fests in the South. CounterPoint came about through another music festival in 2007 called The Echo Project. The Echo Project is known as the origin of CounterPoint because it took place at a privately owned 1250 acre farm near Campbellton and shares some of the same organizers.  After a hiatus during 2013 due to scheduling conflicts at the same site with TomorrowLand, it is back with all the peace and love in a new location which can accommodate this great musical experience. The new venue is home to Atlanta’s Steeple Chase, so a breathtaking scenery is a given at this rural, secluded location where the prying eyes of a buzzing metropolis cannot interfere. This site presents 4 heart pumping stages, beautiful live artists making their masterpieces, culinary delights, great places to relax and a heaping douse of intriguing people watching.

FRIDAY

The adventure begins with a scenic drive to Rome, Georgia. Once you reach the destination of Kingston Downs, a checkpoint awaits a little ways before heading onto the festival concert and camping area. Plenty of time to set up camp, check out other campers that have come and then at 4 pm the music begins. Peace, love and music feels the air as the day goes into the night. From the time the camp is set up until the camp is taken down on Sunday, it is an atmosphere of anything goes! PoolSide hits the Blu Freedom Stage at 4pm on Friday and soon after more artists are on all stages staggered times helps in making sure one can hit every performance. PegBoard Nerds hits the Steeple Stage around dinner time and brings a great performance to the crowd. Green Lantern is next up on the Steeple Stage at 8pm and everyone is dancing.  Krewella on Steeple Stage and lastly on Friday night Boys Noize takes to the Underground  stage to end and the fun loving  atmosphere of the people dancing the rest of the night leaves a wonderment of what the power of music is.

SATURDAY

The dawn appears and it is time for a wonderful day of festivities and music. The festivities to help wake one’s body up includes yoga, monkey chant and hula hoops! Talented hula hoop  enthusiast not only provide a great exercise but are seen throughout the weekend using hula hoops while dancing to the amazing music. Morning yoga helps in providing exercise to release the aches and pains from the night before. It also provides a great meditation to begin the day, because Saturday night is the best night with no sleep. Yoga, meditation and monkey chant is the way to wake up at a music festival. Hula Hoops are spinning as the music begins at 1pm on the HillSide Stage with JMSN. This is not the only entertainment going on. The food area of the festival is probably one of the best set ups I have seen at a music festival and the pizza was awesome. That being said, everything tastes better with music.

As the music played on each of the four different stages, walking through the festival was hot and yet it didn’t matter as the afternoon sun beat down. The one thing I forgot-sunscreen. This was not a good idea as I found out on Sunday morning.  There was a little market area included black light art for sale, around three of the festival markets were of natural made clothing and shoes, and of course there was a place to get flower headbands and beaded jewelry. There was even a small market to get a hula hoop ! The sun beating down was hot , luckily there was free water to patrons , it was simple just take a water bottle or water camel packs and get them filled. There were giant trees that , not only helped in a lovely scenery but gave shade. There were hammocks set up to lounge in and others just laying on blankets and towels enjoying the sun, shade and music.

During the afternoon,  there was a dj project that taught how to dj, this experience was fun and exciting to many who took part. There was Zippo lighters who was set up and even had a limited edition collectable lighter for CounterPoint. There was cracker jacks, giving free snacks, which had a dunking booth set up and if the target was hit and the person was dunked, then a prize was given. I won wayfarer sunglasses. This helped in keeping the bright sun out of eyes. There were artists who were painting murals on the side of a large pyramid, in an area sectioned off to where one could watch the talented artists paint and even interact with them and ask questions about their painting they were doing. This made for an afternoon of fun festivities.

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The atmosphere was one of listening to great music, having peace with one another, and all in all having a great time. The concert festival goers were dressed in everything from shorts to bikinis. Love was all around in the air, neon was all around , and dancing to the music was encouraged by all. The afternoon line-up included Midnight Panda, Shreddie Mercury, St. Lucia, and Five Knives. Dancing, singing along, just having the time of your life in this joyous place and beautiful land.

The evening turned  into the beginning of more music, more dancing, and even time to check out the couple of carnival rides. Up, up, and away, not in a beautiful balloon  but on a Ferris Wheel. This gave one an aerial view of the festival, activities, and the lovely landscape which let you see past the campsite and the festival. The Floozies took to the Underground stage to continue the party into the evening. Kill Paris made new fans when on the Steeple Stage during the evening. The energy from the crowd had you anticipating the late night to come.  This view also gave to a surreal experience to be able to see the 4 stages concurrently and their magnificent lighting effects created an unreal visual experience.

At this time the crowd started to pick from the revelers returning that stayed to the end of the previous night to add to this party because it was closing in on near the time of the headliners to take the stage for the night.  The dancing continued from stage to stage, people from all walks of life enjoyed the party. Getting the party started was easy for the night with XXYYXX on the Underground stage and STS9 rocking on the HillSide Stage. During these sets the bass was hitting so hard you feel it in your chest, arms, legs and could be seen in the water bottles with the water bouncing.  The crowd of festival goers went from stage to stage dancing all the way, enjoying the beats coming from all of the artists. There were groups of the crowd setting off Chinese Lanterns into the air, which began to illuminate the nights sky. Along with these lanterns, the night was illuminated by the glow coming from glow sticks, bracelets, necklaces, and hula hoops. The energy of the crowd intensified during Foster the People who played the Blu Freedom Stage at 10:45 pm. This is only the beginning of the night. The beats from SHPONGLE completed the night and went on into the early morning.

SUNDAY

Sunday came and the morning was once again filled with the rituals of yoga, monkey chants, and hula hoops. The music once again began at 1pm for the day. For the first part of the day and afternoon , the crowd was a bit smaller, considering the party the night before this is not surprising. Ployd, Real Magic, and Kap Slap filled the afternoon with music for the festival goers who were out and about still dancing from stage to stage to the beats being played. The weather was a beginning to fade from sun to clouds, maybe it knew the fun would soon come to an end. Riff Raff helped in the evening with a slight sprinkle of rain. This short sprinkle gave new life to crowd that kept getting larger and larger as the afternoon an evening went. Phantogram and Cashmere Cat took to the stage in the later evening to give the larger crowd more music to dance from stage to stage to. The last night will be one to remember. 9 pm came and Major Laser took the party to another level of rave. Flosstradamus and Thundercat performed to the energetic crowd who was in anticipation for OutKast who were last to play. OutKast came on and there was a roar from the crowd. This is truly what the crowd wanted and needed , a great note to end the weekend festival on.

This festival is truly going to continue to evolve into something truly amazing.  All the major factors are there:  the proper organizers, a breathe taking large open venue, tremendous music acts and most importantly an amazing community of attendees.  While there, I heard a lot of talk about people already planning their return to CounterPoint.  With this being the events (technically) second year and its first in this location it felt very well put together and like it belonged.  So, till the next CounterPoint turn that bass up and dance till you drop and I hope to see you their cause you won’t want to miss it.

Tiffini

Tiffini

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CHVRCHES >> Tether in Tempe [Marquee Theatre]

CHVRCHES >> rolled through another desert the other night, this time headlining a post-Coachella show at Marquee Theatre. It was their first ever appearance in Tempe and they certainly set it off proper in their sold-out inaugural mass.

CHVRCHES >> Marquee Theatre

Just after 9pm Ms. Lauren and her bandmates got on stage and opened with 'We Sink'. The sea of peeps waiting around for 30 minutes prior all antsy got into the groove a bit at the start then erupted at the first 'SAY! SAY! SAY!' belted by the Scottish trio.

A few songs later was 'Lungs' which I think is one of their rookie album's best songs. I named The Bones Of What You Believe one of the best releases of 2013 because of hot shit like this. The section after the hook is even more incredible live. It's so much more crunchy with bass yet still on that 64-bit tip even the cripples have to get down on it.

[related: zLISTED >> Best Albums of 2013]

'Tether' blew my shit away too. I'm such a sucker for when leading ladies slow it down for a sec for down-tempo display of their vocal prowess. Maja from The Sounds singing 'Night After Night' or Emily from Metric singing 'Gimme Sympathy' [both also at Marquee Theatre btw] smitten me to the max but the illness about 'Tether' was the super electric jam that ensued after everyone sang the breakdown with her.

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After the 'Night Sky' dropped, the band took a moment to greet us. Lauren mentioned although it was her first time in the valley, she's known all about it since she was 14 years old because of Jimmy Eat World. I wasn't expecting to hear a JEW shout-out from a young band with roots 10,000 miles away. Bonus alert. Later on in the show before the last song she said she wished they prepared a cover of 'The Middle' for us. Maybe next time and hopefully that's not too far away.

[related: zLISTED >> Top Artists From AZ]

During 'Recover' it sounded like some really crisp clap samples going off after the bridge but to my surprise it was the heavy hand claps of the crowd, abundantly and eerily in unison with the drum machine, like when you have star power in Guitar Hero and you're shredding and melting animated faces off and you haven't left your house in 3 days because you haven't gotten 100% on 'Free Bird' yet and you haven't showered and your mom keeps calling all worried if you're still alive and you're malnourished so you've ordered your second pizza of the day because you can make a hands-free call to Gus's on another try and answer the door while the gods tally up your score but it's fucking 99% again!! Oh wait, what happened? I blacked out. Yeah not exactly like that, but mainly these loud, uniform hand claps sounded like Marquee attendees rehearsed with CHVRCHES during sound check.

This elec-trio [see what I did there?] is so much fun and talented on multiple levels. In addition to blissful vocals, each member plays a few other instruments from guitar, bass, and variety of synths that channel and resound earth's most creative noise, not to mention some cool bouncy dance moves here and there.

CHVRCHES seem just as fun-loving as this audience in Tempe and perhaps all the festival attendees they've played for in recent weeks. They appear to be on the festival circuit this season so no doubt I'm going to check them out at either Outside Lands or ACL or Bonnaroo or Lolla or fuck my life I need to get my hands on some wristbands. See you there?

Setlist: We Sink * Lies * Lungs * Gun * Night Sky * Science/Visions * Recover * Tether * Under The Tide * The Mother We Share * ENCORE: You Caught The Light * By The Throat

marc

marc

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Coachella Addiction >> How Festival Junkies Are Born

Coachella 2014 Weekend 1 >> It happened. It finally happened. I made it to the Coachella music festival for the first time after years of feeble attempts!

Coachella 2014 >> Weekend 1

I expected the crowds, the heat, the festival 'attire', but what I didn’t expect was that I was about to go from a music-lover to a festival junkie overnight. I’m now committed to attend as many festivals as my bank account and vacation days will allow.

Why, you ask? For starters, the opportunity to see as many bands as you can in a single venue is an experience like no other. Coachella has 6 stages with overlapping set times, which begs questions like: 'Do I catch Lorde, Foster the People or Fatboy Slim and then Pixies, Queens of the Stone Age or Empire of the Sun?'

Decision: 10 minutes of Lorde from the back row [‘cuz I hear her set is gothic and boring], sacrifice Fatboy [#sadface], run up front for all of Foster [since I missed them 2 years ago andit’snotgoingtohappenagain], mad dash to Pixies to catch the entirety of 'Where Is My Mind?' and take the long way to Empire so I can hear half a song from QOTSA on the way.

BOOM! Adrenaline rush! Planning like a champ. BUT… Empire’s set is so unbelievably entertaining I had to miss the beginning of Pharrell and catch the star-studded performance from a distance while drinking and dancing in the beer garden, where I finally found my friends and put on some psychedelic glasses they handed me which they later admitted they found god knows where [not like there’s anything sanitary after five minutes at the festival anyway!].

Somehow, there is an oddly inviting bonding experience you share with thousands of random people over mutually sweaty, dust-encrusted, dehydrated bodies because you’re all in it together for this blessed celebration of music. But I digress.

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What I truly loved about the festival is when I was smiling and wandering around by myself, feeling safe and tranquil on a warm sunny day in my bikini top and short shorts, enjoying the gusty wind and a cold bottle of water, watching some of my favorite bands perform songs I have been waiting years to hear live.

I loved having a circled-off dance party with my group of 10+, yelling 'YEAAAAH!' the second Outkast started playing another hit single [and communally wondering why they played all the duds in the middle].

I loved meeting up with my friends in the beer garden talking about nothing in particular while listening to Carnage playing it up in the not-too-distant Sahara tent.

I loved being introduced to a young man whom I’d later make out with under the stars while Lana Del Rey serenaded us to her new track 'West Coast'.

I loved getting my makeup touched up after the peak heat at the Sephora tent and feeling glamorous [or at least less nasty] the rest of the evening.

I loved getting only a few seconds of video for Aloe Blacc because my co-worker friend danced too much in front of the camera.

I loved making swaying peace signs while lying on the grass rocking out to Haim.

I loved seeing my friend’s face light up when she finally got to see Bombay Bicycle Club up close.

I loved my own face lighting up after working my way to the front of the stage to watch Muse perform, after trying for over a DECADE to convince someone to see a show of theirs with me.

And I loved standing there among thousands of people singing a cappella with Arcade Fire when their set went past midnight and the microphone got shut off, holding on to that moment as long as I could knowing it would never happen again.

That, my new friends, is why I have turned into a festival junkie. It’s all about the moments that make it matter.

Next stop: Outside Lands 2014.

Stay tuned..

Danielle

Danielle

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Chromeo >> Fancy Footwork in Tempe [Marquee Theatre]

Chromeo >> two-stepped through Tempe again this weekend to show off their 'Fancy Footwork' at Marquee Theatre. The Canadian duo and special guest Tokimonsta set off Saturday night live masterfully and incredibly electric from the get go.

Chromeo >> Marquee Theatre

I had been wanting to see Tokimonsta put it down for some years now and it was a great surprise to see that she was on the bill for an already highly anticipated show. The now-blonde electro vixen from LA transformed the standing room into a dancing room for 2 hours with an eclectic set featuring an array of illness that even ventured into a trippy hip-hop trap groove from time to time.

Her impressive mixology accompanied by lots of animated movement behind the decks were a treat and an honor to share the momentum with. There's nothing more awesome or sexy than such hotness cutting like that.

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Chromeo hit the stage just after 10pm with a strobe-lit entrance backed by heavy bass kicks and the familiar rally chant produced by their crowd. CHRO-ME-O....OH OH. After getting the attention of all the fellow Chromantics in attendance, they got down to Business Casual-ly opening up with 'Night By Night'.

Everything about the show was brilliant as the Dave1 and P-Thugg even outdid their own performance at this same venue back in 2011 on their cleverly aforementioned last album's tour, which was the duo's only other time performing in the AZ desert. This headlining show was just a night after playing on Day 1 of Coachella Weekend 2 yet still had an unyielding amount of energy harnessed just for us.

Nearly all the best Chromeo favorites made it into the set list and/or encore. 'Bonafide Lovin' and 'Fancy Footwork' seemingly got the most audience activity until they closed with 'Needy Girl'. With their new album White Women due to drop next month, I'm guessing the 2 or 3 unfamiliar tracks were from said LP including 'Come Alive' which features Toro Y Moi.

[related: Video >> Toro Y Moi at Crescent Ballroom]

I still have ye to experience '100%' performed live and I don't recall them playing that fun little ditty in French but at least they were poo politicians this time and any dialogue this time around was just about getting hyped with party down intentions. Boom.

The evening was a ton of fun and bonus points for the Coachella-W1 fiends or perhaps a supreme consolation for the Coachella-W2 absentees. Plus there was Tokimonsta who again was fucking dynamite on the decks.

Tokimonsta >> Marquee Theatre

marc

marc

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